Symmetry is another example of a way the two paintings are alike. The shape of the Mona Lisa is very symmetrical. The woman is sitting straight and a straight line down the middle of the painting would show equal parts.
Her face is very circular, and the smile she displays is an arch of a circle. Roemer, CK. Warhol gives his Marilyn Monroe paintings a subtle heart shape with the curves created by her hairline.
The painter, like DaVinci, uses simple shapes as well, such as the half-moon of her eye shadow, or the slight triangles of her eyebrows, which also shows symmetry. DaVinci creates a feeling of depth and space in his painting. The fact that the woman is taller than the mountains in the background suggests that she is seated very close to the viewer, while the mountains are in the distance. The detail of the pleats in her skirt, the individual pieces of hair, and transparent veil that covers her head are small details that make the woman seem closer to the viewer.
The walking paths and streams of water leading up the painting make the eye move upwards, and form a sense of continuous forest. The viewers understand that the landscape goes on for quite a while. There is no real use of depth in this painting, because of the plain, contrasting color background. She almost appears to be completely flat against the surface. The eye is immediately drawn to the face in Marilyn Monroe.
As mentioned above, the contrasting background color pulls the face forward, making the viewer notice her first. The same can be said of Mona Lisa, making focal point a similarity of the two. The woman in Mona Lisa is the biggest part of the painting. The position of her hands is right below her face, which also serves as a line to the focal point. The use of value plays a huge role in both paintings.
DaVinci uses abrupt changes in value; The pale skin of the woman face and hands against her dark hair and dress. He uses the same type of changes to show the wrinkles on the fabric of her clothing. The black tones used underneath her hair are darker than the color of her somewhat pale skin.
Another similarity is the massive amounts of recreations or paintings based on the same subject. Many artists has done their own version of the Mona Lisa, making her their nationality, fat, and even making her another person altogether. Many artists have also taken Marilyn Monroe and painted her their own way. Both paintings still play a huge role in society today. You can buy phone cases, laptop skins, and even clothing with a picture of these paintings.
Replicas of both paintings can be seen hanging on walls of homes, restaurants, and art galleries. A final similarity between the two paintings is the significance they both played in their style of art. When Andy Warhol decided to create a series in her honor, he moved away from his gilded stylized drawings of the s and worked instead with his newly found silkscreen techniques that he had previously used for his Coke Bottle and Dollar Bills series.
Warhol's first Marilyn Monroe series in represented a dynamic shift in the artist's style and career, as he moved farther away from his s illustrating roots, towards the bold and visually striking multiples of celebrities that characterized his career in the early s. Warhol used as his original image of Monroe a publicity still from her movie, Niagara. He was fond of the silkscreening process for the nature of its imprecision; while two identical images could be screened onto two identical canvases with two identical pigments of ink, they would ultimately differ in both subtle and obvious ways — saturation of the ink, positioning of the image, etc.
Chance decides how the multiple images would exhibit their eccentricities; consequently, each screen was a repetition, but one completely individuated. The repeated figure rendered each time in different colors, serves to heighten and stress the artifice of fame as well as the lost humanity of the hyper-intense media culture which still pervades America today.
Just as every American projected their own hopes, desires, and dreams upon the young starlet, so too did the Factory physically impress upon her with their screens various hues and casts, each time recreating her in their own way. Perhaps another is the similarity of Monroe to Warhol in a personal context; both Monroe and Warhol shared enormous talents of an artistic spirit, but what talents they offered often differed from what the public demanded. Though, ultimately, Monroe failed and Warhol succeeded, their ambitions to challenge our notions of normalcy unite them in Pop history.
By duplicating a photograph known to millions, Warhol undermined the uniqueness and authenticity characteristic of traditional portraiture. Instead he presented Monroe as an infinitely reproducible image. Gallery label from On to Pop, September 29, April 25, Additional text Warhol made this painting shortly after legendary actress and sex symbol Marilyn Monroe committed suicide in August It is one of his first photo-silkscreened canvases and one of his earliest celebrity paintings.
He hand-painted the large canvas in gold and then silkscreened Monroe's face, cropped from a publicity still for the film Niagara , at the center. With this updated version of a Byzantine icon, Warhol canonized and eulogized Monroe as a goddess of popular culture.
Regards to question which he made a time capsules. Note - biography of andy warhol s work gold marilyn series. Even the most secular of artists have given credence to the concept of the muse as a spirit of inspiration.
In our current time, there is less of a charm. Any subject. Any type of essay.
Even more pointedly was his fascination with starlets, it-girls, and famous actresses of that time whom he would often immortalize in his now timeless artworks 1. He began converting the themes of advertisements into large-scale graphic canvases. Although Warhol adopted a bland, detached persona, he was an extremely energetic artist and self-promoter who played a significant role in redirecting the course of art. All aspects of the painting are bright; eyes, lips, eye shadow, and hair.
As a gay man, he appeared to appreciate their form more than other artists in his circles, and he chose to appreciate these women by turning them into icons of beauty and sophistication.
Her face is very circular, and the smile she displays is an arch of a circle. Therefore, photography provided Warhol opportunities to showcase both his private self and his public artistic identity. Marilyn seems to have a haughty or annoyed expression on her face, while Mona Lisa is smiling slightly and seems to be happy and content. Each Warhol silkscreen used this technique that enabled him to produce the series of mass-media images — repetitive, yet with slight variations — that he began in The time period when the two painters lived was decades apart.
Related readings Introduction During his lifetime, Andy Warhol was always allied with the notion of celebrity.
Some say the woman is DaVinci himself, in woman form. In , he moved from Pennsylvania to New York City and began a career in magazine illustration and advertising. MoMA PS1 remains open.